These dmf subs are insane! It took me 30 seconds to decide I had to buy them. Authoritative, open, tight, life-like, in one word: wow!
Wessel Oltheten, Spoor 14, Boxtel (LS1s-dmf)
Total peace of mind
Marja Vanderloo & Henk Boot, 6Moons (LS1be)
I've played everything from Rammstein to chamber music on these speakers, and they eat everything raw.
Roy Ervin Solstad, Stereo+, Oslo (LS1)
A second Grammy: your technology helped me get there…
Al Pryor, Mack Avenue Records, New York (LS1)
You must hear that! Absolutely!
Fritz Fey, Studio Magazin, Oberhausen (LS1be)
This is probably the most 'correct' loudspeaker I've ever laid ears on. The combined honesty, neutrality and pleasing musicality is at a level that I haven't come across before.
Christian Rechenbach, EinsNull magazin, Duisburg (LS1)
You have to work hard on the LS1's to get a good sounding mix, but once you have it, you can be sure it really is a good mix.
Wessel Oltheten, Pro Audio & Video magazine, Buren (LS1)
I have already made better, faster decisions in my mixes, and have had more confidence in delivering my masters.
Thaddeus Moore, Liquid Mastering, Eugene (LS1)
These are the most immersive, dynamic, detail-rich, nuanced, elegant, engaging, emotional, and yes, musical speakers I have ever heard. By far.
Timothy Roth, Positive Feedback (LS1)
One for all and everything.
Fritz Fey, Studio Magazin, Oberhausen (LS1)
The system (...) is the equal of systems of hundred thousands of Euros when it comes to aspects like neutrality, purity and naturalness of tone.
Clemens Wergin, Die Welt, Berlin (LS1)
After all these years I finally have a standard on which I can rely.
Al Pryor, Mack Avenue records, Hempstead (LS1)
I won't get my monitoring better than this. Mastering party all day, every day!
Frederik DeJongh, Jerboa Mastering, Gent (LS1)
What impressed me the most is the purity of the sound and the sound field in general. (...) You can work so fast now to get the sound right!
Stefan Riel, Echo Beach, Kuala Lumpur (LS1)
I had that feeling of an open window into sound, across a wide range of music styles.
Nigel Palmer, Audio Media, London (LS1)
Truly a remarkable system, the equal or better of anything I've ever heard.
Dave Collins, Dave Collins Mastering, Los Angeles (LS1)
This is the most exciting, strange, beautiful, ridiculously convenient piece of non-audiophile audiophile gear I have seen or heard. These things are a bit science fiction really.
Bogdan Roscic, President Sony Classical, Berlin (LS1)
Just recorded Mahler 1 with Filharmonie and Edo de Waart. We had the Grimm LS1's on trial. Never heard so much in a recording, really impressive.
Steven Maes, Motor Music, Mechelen (LS1)
Not something good, but something already exquisite has further been improved.
Fritz Fey, Studio Magazin, Oberhausen (LS1)
I've listened to so much music and films and heard space and details I have never heard before.
Bart Jilesen, Studio Bart Jilesen, Utrecht (LS1)
I want to congratulate you for making the best sounding, most phase linear, transient accurate, and all around beautiful speaker system on the planet
Thaddeus Moore, Liquid Mastering, Eugene (LS1)
I could not be more impressed.
George Massenburg, McGill University, Montreal (LS1)
The LS1's frequency response is unusually flat - indeed the flattest we've ever measured.
Keith Howard, Hi-Fi News, Croydon (LS1)
My audition of the LS1 was a transformative experience.
George Massenburg, McGill University, Montreal (LS1)
I heard the LS1 in NYC at the AES Convention... man, I was really impressed. Although it was at the booth, I could identify my mix immediately. So far the best speakers I've heard.
Christian Klotzbücher, Kunstuniversität Graz, Graz (LS1)