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High End Swiss 20142014, October 17

At High End Swiss 2014, a great show of High End Society Zurich, the LS1 will have a nice room of its own. Our Swiss dealer Christian Wenger and our distributor Christian Reichardt will be present to give you a perfect demo. Please visit room 325 in Mövenpick hotel in Zurich-Regensdorf from 17-19 October.

Our US pro audio distributor Grace Design is exhibiting at the 137th AES convention (October 9th-12th), which is held in Los Angeles this time. Eelco Grimm will be present at the booth, though he can also be found presenting his work on cinema loudness regulations. Please visit us at booth #1532 where you can obtain a free TPR sample and check out an exciting new product of Grimm Audio!

Our US distributor GTT Audio & Video will be present at the Rocky Mountain Audio Fest, which will be held from October 10th till 12th in Denver. Please come by for a great LS1 demo and a nice chat with Bill Parish.

In the first weekend of October our German distributor Audio Import will be present at the Westdeutsche HiFi Tage in the Maritim Hotel Bonn. Please visit room 337 and enjoy a perfect demo of the LS1 system.

Belgium hifi dealer Gydotron will show the LS1 at his Gydotron Audio Show in the Sint Martinus Pastorij in Malle. The main theme of the show is Vinyl, but like many people already know, the LS1 is perfectly suited to use with a phono pre.

During the IFA show in Berlin, September 13 and 14, our Berlin dealer and music lover Max Schlundt will present a sideline show at his premises with a spotlight on the Grimm Audio LS1. The team of our German distributor Audio Import will assist him and perform demo's.

Our US distributor Bill Parish will make sure visitors of the T.H.E. Show in Newport Beach have a great time in his room, enjoying the LS1's and his collection of beautiful recordings. This time it will really be a 'feast for your senses'...

For the second time we will have a big demo room during Munich High End. This time it's an even more festive event for us since we will be celebrating our 10th anniversary during the show! On demo is the LS1 with high quality tracks in CD, high res or DSD formats and we plan to build a great party. So please come by in room E118 and toast with us on a bright future.

Our US dealer Bill Parish of GTT Audio & Video will show the LS1 at the Chicago Axpona high end show from April 25th till 27th. This is the first US east coast hifi show for the LS1 so we expect quite some interest.

We have our first time appearance at Klangschloss 2014. The LS1 is presented by our exclusive Swiss dealer Christian Wenger. Grimm Audio's Christian Reichardt will join him in presenting the LS1 to the audience. 


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  • I had a client ask why my mixes were so much better this week.

    John Davis, The Bunker Studio, New York (CC1)

  • The CC1 brings out a level of detail and clarity that I had dismissed as only possible with analog.

    John Davis, The Bunker Studio, New York (CC1)

  • Truly, this could be the last system you'll ever buy; an endgame solution.

    Marja Vanderloo & Henk Boot, 6Moons (LS1be)

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    Noah Scot Snyder, Los Angeles (TPR)

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    Marja Vanderloo & Henk Boot, 6Moons (LS1be)

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    Marnix Bosman, HVT magazine, Baarn (CC1)

  • I had that feeling of an open window into sound, across a wide range of music styles.

    Nigel Palmer, Audio Media, London (LS1)

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    Theo Wubbolts, HVT magazine, Nijmegen (LS1)

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    Günter Pauler, Stockfish Records, Northeim (TPR)

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    Bob Katz and Garrett Haines, TapeOp, Sacramanto (CC1)

  • If someone came up with the idea to call the LS1 the best speakers he's ever heard, I would join in with a smile.

    Max Schlundt, Kultur...Technik, Berlin (LS1)

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    Marshall Nack, Positive Feedback (LS1)

  • I love your cable because it is effectively inaudible. With TPR, cable quality is no issue anymore.

    Jan Didden, Linear Audio, Turnhout (TPR)

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    Wessel Oltheten, Pro Audio & Video magazine, Buren (LS1)

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    Bogdan Roscic, President Sony Classical, Berlin (LS1)

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    Yasushi Hamase, Be-Tone Studio, Kanagawa-Ken (AD1)

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    Josep Umbria, Calma Estudis, Manacor (CC1)

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    Wai-Shan Lam, hifi enthusiast, Hong Kong (LS1)

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    Teresa Goodwin, Positive Feedback (AD1)

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    Allen Farmelo, Pink Noise magazine, Hopewell Junction (CC1)

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    Ben Zijlstra, Dutch Film & Television Academy, Amsterdam (CC1)

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    Fritz Fey, Studio Magazin, Oberhausen (LS1)

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    Hein Dekker, producer for Channel Classics, Baarn (AD1)

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    Ronald Prent, Wisseloord Studios, Hilversum (TPR)

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    Mark den Hartog, Zownd Mastering, Leiderdorp (TPR)

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    Clemens Wergin, Die Welt, Berlin (LS1)

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    Ronald Prent, Galaxy Studios, Mol (AD1)

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    Roy Ervin Solstad, Stereo+, Oslo (LS1)

  • The LS1 is by far the best speaker that AUDIO had the pleasure of reviewing in over 35 years; this especially in the two crucial audiophile disciplines of neutrality and detail reproduction.

    Wolfram Eifert, AUDIO, Stuttgart (LS1)

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    Frederik DeJongh, Jerboa Mastering, Gent (LS1)

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    René Gambini, Lyrinx, Marseille (AD1)

  • The CC1 is a brilliantly designed piece of equipment. Every piece of gear that I plugged into it sounded better and more natural.

    Erik Zobler, Mix Magazine, Los Angeles (CC1)

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    Fritz Fey, Studio Magazin, Oberhausen (LS1)

  • After installing your CC1, I often catch myself thinking that I listen to 88.2 when in reality it is 44.1. Their difference used to be much larger, and both sound much better now.

    Reyn Ouwehand, Studio The Church, Wijdenes (CC1)

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    Hiro, Pure Super Audio (AD1)

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    Bart Jilesen, Studio Bart Jilesen, Utrecht (LS1)

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    Hay Zeelen, Hay Zeelen Mastering, Amsterdam (CC1)

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    Roy Ervin Solstad, Stereo+, Oslo (LS1)

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    Timothy Roth, Positive Feedback (LS1)

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    Philip Opdebeeck, Little Major Mastering, Antwerp (TPR)

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    Carlos Imperatori, Producciones Tumbador, Caracas (CC1)

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    Steven Maes, Motor Music, Mechelen (LS1)

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    Reinhold Martin, Hifi Statement Net Magazine, Gröbenzell (CC1)

  • Among all the truly excellent SACDs from Channel Classics, the very best sound quality wise is the Mahler 4th recorded with the Grimm IMHO.

    Chris Fredriksson, HiFi enthusiast, Sweden (AD1)

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    Bernhard Rietschel, Editor in Chief of AUDIO, Stuttgart (LS1)

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    Audioenzo, Dordrecht (TPR)

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    Mark Conese, Ambient Records, Stamford (AD1)

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    Richard Chycki, Toronto (CC1)

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    Marja Vanderloo & Henk Boot, 6Moons (LS1)

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    Dimitris Stamatakos, AVMentor, Athens (LS1)

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    Dieter Kahlen, Studio Magazin, Oberhausen (LevelView)

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    George Massenburg, McGill University, Montreal (LS1)

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    Christian Klotzbücher, Kunstuniversität Graz, Graz (LS1)

  • This is a major improvement. We need much less eq on the high end, the low end sounds more solid and the punch on the snare is great. This clock is a large improvement, we were amazed.

    Peter Riebeek, Studio 150, Amsterdam (CC1)

  • After all these years I finally have a standard on which I can rely.

    Al Pryor, Mack Avenue records, Hempstead (LS1)

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    George Massenburg, McGill University, Montreal (LS1)

  • I was impressed by how my chain with the EMM's got a benefit when I added a Grimm clock to my setup. Guided by what the literature and many designers are saying I was stunned about the change in a positive way) in sound.

    Daniel Dettwiler, Idee und Klang Studio, Basel (CC1)

  • I had expected a small sound improvement. What happened is just the opposite: I am very impressed.

    Gerd Hoppe, hifi enthusiast, Alicante (CC1)

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    Tommy Zai, KVR, Phoenix (LevelView)

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    Dave Collins, Dave Collins Mastering, Los Angeles (LS1)

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    John Newton, Soundmirror, Boston (MP1)

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    Jack Liu, AudioArt magazine, Taipei (LS1)

  • What impressed me the most is the purity of the sound and the sound field in general. (...) You can work so fast now to get the sound right!

    Stefan Riel, Echo Beach, Kuala Lumpur (LS1)

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    George Tanderø, Mixing & Mastering, Oslo (TPR)

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    Christian Rechenbach, EinsNull magazin, Duisburg (LS1)

  • I’m afraid my english isn’t good enough to describe the overwhelming feeling while listening to music, reproduced by the LS1.

    Ulrich Watermann, Berlin (LS1)

  • Very impressive.

    Steve Hall, Future Disc, Los Angeles (AD1)

  • I didn't know clock influence was that big!

    Tim Vine-Lott, Air studios, London (CC1)

  • The naturalness of the LS1 turns me on big time.

    Wolfram Eifert, AUDIOphile, Stuttgart (LS1)

  • As it turns out, Truth equals Love.

    Timothy Roth, Positive Feedback (LS1)

  • The reviews I read are good, but to me what I experienced in our system was greater.

    Aaron Gandia, Phat Planet Studios, Orlando (CC1)

  • This is a revelation. It is the first time in my 20 years of digital recording that I hear a fundamental improvement in sound quality.

    Leo de Klerk, Bloomline Studio, 's Gravendeel (AD1)

  • We are very impressed by the quality of this unit.

    Günther Pauler, Pauler Acoustics, Northeim (CC1)

  • Did Grimm Audio reinvent the loudspeaker?

    Bert Oling, Hi-fi Video Test, Nijmegen (LS1)

  • I'm now using a DSD converter called a GRIMM for my SACD mastering. Big improvement.

    Steve Hoffman, Audio Fidelity, Los Angeles (AD1)

  • The sound stage renders almost holographic with a very high precision and spaciousness, as if there is no cable at all.

    Harro Tillema, Alpha Audio, The Netherlands (TPR)

  • I love the speed, transparency and neutrality of this cable.

    Marnix Bosman, HVT, Nijmegen (TPM)

  • I have already made better, faster decisions in my mixes, and have had more confidence in delivering my masters.

    Thaddeus Moore, Liquid Mastering, Eugene (LS1)

  • The jitter measurement results of the CC1 were the best of all competitors.

    Friedemann Kootz, Studio Magazin, Oberhausen (CC1)

  • Suddenly and distinctly, there's a palpable increase in naturalness, extension and spaciousness.

    Nicholas Bedworth, Positive Feedback, Makawao (CC1)

  • During our sessions with Grammy winning saxophonist Kenny Garrett, the CC1 made all the difference in the world!

    Al Pryor & Todd Whitelock, Mack Avenue records, Hempstead (CC1)

  • I was focusing more on the music than the equipment, something that rarely happens when I listen to digital...

    Tony Bolton, Hi-fi World, London (CC1)

  • I want to congratulate you for making the best sounding, most phase linear, transient accurate, and all around beautiful speaker system on the planet

    Thaddeus Moore, Liquid Mastering, Eugene (LS1)

  • I did some sessions in 44.1, 48 and 96. It works great, and sounds fantastic. The CC1 is such a great upgrade in the studio, amazing!

    Samuel Girardin, Point d'Orgue, Montreal (CC1)

  • From the first minute I knew that something very special was happening. (...) The quality surpasses everything I heard before on my system.

    Gerard Lombrez, Lille (CC1)

  • The LS1's frequency response is unusually flat - indeed the flattest we've ever measured.

    Keith Howard, Hi-Fi News, Croydon (LS1)

  • I buy and sell a lot of stuff, but the CC1 is not leaving the building.

    Alex Abrash, AA Mastering, New York (CC1)

  • It seems as if the musicians have more fun when they play music.

    Ingo Iebhart, hifi enthusiast, Eberdingen (CC1)

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